At The Drive, I was responsible for the publication's foray into Facebook Live video. We were driving fast, beautiful cars that our audience dreamed of, but for many, they would never experience in real life. The goal for our videos was simple: give our audience the first-person experience. Within two months of starting live video efforts, The Drive was ranked as a “Tier 1” publication within Time Inc., sharing the stage with the corporation's most established brands: People, Entertainment Weekly, Sports Illustrated and TIME, and was responsible for creating 15 experiential videos with over 150 minutes of live video each month. 

My work on video predates The drive. While Social Media Strategist at Connecticut College, I was been involved with the strategic planning for a number of video projects. My roles varied; in some cases, I was part of a team that helped to create a video's vision before production was handed off to an outside contractor. In other cases, I served as director and producer, deciding how the video should be edited together. 

Behind the scenes of a library 'book pull'

Camera & editor: Dana Sorkin 
Director and producer: Andrew Nathanson

Dinner and a show

Camera: Andrew Nathanson and Dana Sorkin 
Editor: Dana Sorkin
Director and producer: Andrew Nathanson

"Flourish" - Arrival Day 2014

Camera and editor: Kurt Reinmund
Director and producer: Andrew Nathanson

Welcome Home: Reunion 2014

Camera and editor: E-Cast Productions
Direction team member: Andrew Nathanson 

What's your advice for the Class of 2014?

Editor: Dana Sorkin
Camera, Director and Producer: Andrew Nathanson

Fall Weekend 2013 in 60 seconds

Camera, editor, director and producer: Andrew Nathanson

Floralia 2013 in 60 seconds

Camera, editor, director and producer: Andrew Nathanson

Building Stories: Cummings Arts Center

Camera: Shawn Hove
Editor: Andrew Nathanson
Projected content designer, editor, director and producer: Andrew Nathanson
Projection generously supported by Xplore Productions

Harkness Chapel time-lapse series

Camera & editor: Andrew Nathanson